Yes I realise I reblogged essentially the same joke in .gif form twice, but I feel any joke from Community deserves to be reblogged twice.
Plus it only works today anyway
LOOK AT THE BABY RAYS WITH THEIR BABY RAY FEETIES!!!
BABY SLOTH TUMMY
My brain the whole time I looked at this:
baby animals, Baby animals, Baby Animals, BABY ANIMALS, BABYANIMALSBABYANIMALSBABYANIMALSBABYANIMALS
Watch!: And when you started out, there were almost no Asian-Americans on TV. Now you’re Watson. The TV my Asian-American daughter grows up watching will be very different than what I grew up watching.
Lucy: It is significant, and I think we still have a long way to go. It is good that you’ll have to explain to her that when Daddy was a teenager, there wasn’t anybody like her on television. People say I’m a pioneer, but I don’t recognize it because I’m still living it. Maybe on my last breath if they name a street after me in the city, I’ll say, “Wow, I made a difference.” Right now, it doesn’t feel like it. [x]
Lucy Liu in the October 2013 edition of Watch! Magazine
I swear this woman is like class personified.
if you ever got lost in the notion of time while reading the mango, here’s a simple timeline of the events
What I really like about this is that it really drives home that all the shit that’s been going down since chapter 3 of the manga, all the deaths, all the fights, all the revelations and pain, has all happened in less than two months.
And you look at how the characters have developed and you realise how much constant stress they must be under.
The Unbelievable Photos Taken by the Crazy Russians Who Illegally Climbed Egypt’s Great Pyramid
people, you may never see an image like this again… so yeah, reblog it
Ya well I can’t blame them for climbing that
Just look at that incredible fucking view
I bet they were Russian to get off that pyramid afterwards
Man, every time I see this picture I feel so conflicted.
On the one hand, this is a magnificent view that really drives home the splendor and majesty of these buildings; and to be up there with the other pyramids laid out before you and the lights of Cairo in the distance, it must feel like living in a dream and is an experience I desperately want to have for myself.
On the other hand, HOLY SHIT THAT IS A 5000 YEARS OLD STRUCTURE!!! WHAT THE FUCK ARE YOU DOING CLIMBING ALL OVER IT YOU FUCKWITS!! ITS CLOSED TO CLIMBING FOR A FUCKING REASON, NAMELY IDIOTS LIKE YOU CLIMBING ALL OVER IT AND DAMAGING IT. THIS THING HAS STOOD FOR FIVE THOUSAND YEARS (nearly) AND IS THE LAST WONDER OF THE ANICENT WORLD AND YOU’RE JUST FUCKING DRAGGING YOUR FUCKING ASSES UP IT????? SERIOUSLY???? THE FUCKING STONE IS CRUMBLING AND IS MISSING ITS OUTER LAYERS, AND PLUS, HEY GUESS WHAT, IT WAS NOT DESIGNED TO BE CLIMBED!!!!
As you can see, my feelings on this matter are rather divided.
kuroko and kise :) BASKET BALL !!!!!!!!!!!! (I’m the sexy kuroko)
And I’m that super sexy model Kise~
Yo, dude, I just realized I met you at Eirtakon. I was the artist selling the Harry Potter and MLP scarves and gloves. You came over and were feeling bad ‘cos everyone reconised Kuroko and noone knew who you were, thats why you had the basketball.
Book borrowing is the biggest form of true love it’s like, “Here’s a piece of my soul that I think you would enjoy.”
*slow clap for the harry potter fandom*
The backgrounds of Princess Tutu and Attack on Titan are both based on the same real-life town.
Nordlingen is totally on my bucket list.
So relevant to my interests. *_*
NORDLINGEN WAS USED FOR SNK TOO???
i prefer princess tutu shhhhhh
Nordlingen and its layout is what I’ve always imagined Ankh Morpork would look in real life.
The Butcher Boys by Jane Alexander.
Oh, yeah, I remember these guys. I wrote about them for my thesis.
They represent the horrors and dehumanizing effects of Apartheid.
Like, are they monsters in human form or humans who have been reduced to monsters. And if they represent the victims, than they represent the mindset that it’s ‘okay’ to hurt and oppress them cos they are ‘just like animals’, no humans to feel guilty over, just grotesque, monstrous animals.
And it hits you strong doesn’t it? I find not a lot of art portrays this horrific point of view like this piece. It’s gruesome and necessarily so, screaming that what happened to the victims is not something that can be brushed aside or glanced over.
Suffice to say, it’s one of my favourite sculptures.